During her second bout with cancer, Terry banished her first-time chemo wig and sported a variety of adorable hats. Eventually she came to the conclusion that she didn’t care to hide her nearly bald head anymore. At the gentle urging of her friends in art class, Terry removed her cap and as a great favor to me, allowed me to take photos of her. Terry’s beautiful face never required the embellishment of hair. While we talked, she graciously posed for my camera. Her eyes shone, and her smile widened into her quintessential Terry glow, her features merging with the light around her.
Even in the throes of the devastating illness assaulting her body, Terry’s spirit still managed to radiate warmth and joy. This phenomenon I think, was an outpouring of her capacity for fathomless love. Love that she so generously shared with absolutely everyone and every living thing. And this was almost always evident. I am in awe of Terry, though until now, it was impossible for me to attempt to describe her extraordinary grace with my clumsy words.
Terry endowed us with a well full of incorporeal beauty. A smidge lives, as a cinematic-like image of Terry in my mind’s eye. She appears to be absolutely luminescent. But the greater portion of her largess is free to anyone who cares to look for it. You can feel it, in the light.
12″ x 12″Oil on Linen
A new addition to the “Cloaked” series but with a lighter, cooler palette.
Alla prima paintings are completed in one sitting. When I paint a portrait this way, I draw with my brush, minding the spacial relationships between features. Next, I lay in the darks using full color, to support the forms of the face. The midtones, the lights and their transitions blend into the previous wet passages to complete a loosely painted portrait. This one layer painting allows me to break from the confines of too much detail and preserves the energy captured at the very start of a painting.
12″ x 12″ Oil on Linen
Oil on Linen 12″ x 16″ Same model, two views.
Oil on Linen 12″ x 12″
“Julian” Oil on Canvas 30″ x 40″
It’s been quite a while since I’ve dabbled in the world of WordPress. So, all week long I’ll be posting a backlog of paintings beginning with this one. It’s a near to life sized portrait of my son, Julian; composer, arranger, singer/songwriter, musician, writer, teacher, and visual artist. Below are links to a partial catalog of Julian’s work:
Julian’s twelve and counting, independently written, performed, produced albums: Band Camp Julian Cartwright (album artwork included).
A performance and interview Julian’s spoken word work on Sound Cloud.
And his visual art.
A shout out to all of my blogger friends. I look forward to visiting you this week to see what you’ve been up to.
Portrait of T. Oil on Linen 20″x 29″
My favorite post of the week. I’ll be back when I finish several WsIP. Till then, thanks for your “likes” and comments. They add fuel to my productive fire:)
Detail, Portrait of T
Home 12″x 12″ Oil on Canvas
Probably my first landscape post. I’m not a landscape painter, but the swamp is my home away from home. A portrait was in order.
Waiting Oil on Linen 11″x 14″
The Lane Oil on Linen 16″ x 20″
Lots of paint, loose and moody. Both are oil and relatively small, 11″x 14″ and 8″x10″ respectively.
Oil on Linen with Gold Leaf 16″ x 20″
Beginning 1 & 2
Hair: meaningful in so many traditions and cultures. The way that we wear it may be a statement, a passive rebellion, an identifier, an obsession, a tabu or even a code. It’s a point of pride and a worry, and it’s oh so personal. It’s meaningful to me and so much fun to paint. That’s why I wish I had kept this piece simpler, as in the early stages (directly above). I may go back and make a drawing or an alla prima of this composition in the near future.
Oil on Linen 24″ x 24″
A portrait of M. and a house sparrow.
One of several paintings haunting me. I’m holding myself to higher standards lately, hanging onto nearly finished pieces, putting them aside for weeks, seeing them anew and correcting. Only after many improvements, am I letting them go.
There are a couple more waiting to be released…soon…maybe..;)
Oil on Linen 11″ x 14″
Oil on Canvas 8″ x 10″
Oil on Linen 6″ x 8″
Oil on Canvas 12″ x 12″
New additions to the “Cloaked” series.
Lots to say, this post…
These paintings are intriguing and confounding me. Many attempts live under layers of grounding gray, waiting for a new painting to appear on the surface. The layered images are indeed cloaked;) I’m not even certain that all of the images above will survive. I’m giving them some time… I’m after a particular trepidatious quality in a painting that actually “works”.
For a while now, I’ve been experiencing a pinched nerve in my back, so sitting at the easel and at the computer is uncomfortable. The easel is priority one, so blogging has been and will be spotty at best. The upshot is that I’m not able to visit your blogs as often as I’d like, and I’m sorry about that.
Also, I’d like to provide a link to Six and Crows. Some of my paintings have been paired with fine poetry and a really terrific blog.
One last thing. I’m terribly excited that one of my “Cloaked”, “Persistence of Vision” to be specific, is being shown at the Crane Arts Gallery 105 in Philadelphia as part of the “Old Enough to Know Better” exhibit! The show is presented by Woman’s Caucus for Art, Philadelphia Chapter.
Oil on linen 24″x 30″
I haven’t posted for quite a while, but I’ve been working on the “Cloaked” series and larger figure paintings.
Though I employ friends and family to pose just as models, these paintings most often turn into portraits, like the one above.
Oil on Linen 18″x 24″
Movement and light are my subjects in this painting. Or should I say, the joy of both.
While struggling with the dark “Cloaked” series, I felt compelled to search for a little light. This is one of two recent pieces expressing that urge to find the light. Tomorrow, another light seeking painting.
Oil on Canvas 8″x10″
I’ve painted five new “Cloaked” pieces but this is the only surviving painting. More to come (I hope).
Alla prima 16″x 20″ Oil on Linen
While struggling with the next set of “Cloaked” paintings, I felt the need to work with a big brush, my favorite male model and some color!
11″x 14″ Oil on Linen
“Cloaked” is essentially the next- generation in the “Divide Series”. Much like the original “Divide Series”, there is a barrier-a separation between the individual and the world. In this new series, the divide takes the form of a headpiece. Its connotations may or may not be religious, from a time long past, or a time yet to come.
9″x 12″ Oil on Canvas
The surface of each painting is both textured and glossy, much like the feel of old Flemish portraits. Sorry I’m unable to show you here, but I’m sure you get the idea.
12″x 16″ Oil on Linen
I’m pretty excited about them:)
Occasionally, someone will ask about my painting process. I have in the past, posted my usual digital painting and oil painting process. But once in a while, I’ll choose this method. It’s not an overall block-in, refine and refine again way to work. It is instead, a little by little fill in method. While this technique can be fun, I don’t recommend it to anyone who is just starting to paint. Nor is it a way to work with a live model as your subject. But, if working from one of your photos, it’s a nice change of pace.
Most painters who use this technique virtually finish an area before they move on. I continue to go back and rework, just not as much as I do with an overall blocked- in underpainted method. Many artists who employ this technique use far less color and create much tighter paintings. My finish (below) is about as tight as I like to get, regardless of the method. But next time I work this technique, I’m going to limit the color significantly. The color here is a little too exuberant. Color, edges, highlights- all fighting for attention. So next time, less of everything:) I’ll let you know how it goes.